Wednesday, July 13, 2022

A Letter to Dance



Letter:
Dear Dance,

One might find it whimsical that I'm writing you a letter, to Dance; and that I'm calling Dance as a noun and not a verb. However, I think I need to say this out loud to the Art of Dance for giving me what it has been giving. To express gratitude for the emotions I'm feeling today.

Honestly speaking, I have not been constant & loyal in following my passion for Dance as much as I should have been. Yet, the Art of Dance has always embraced me during any interval that I've decided to follow it. And for that, I'm eternally grateful.

As a kid, I have followed every excuse to Dance; be it annual days in school, family functions or colony gatherings. And, if there was nothing happening, I would still be dancing - performing for an imaginary audience sitting on the living room couch. I would be dancing even when there was really no one watching. And isn't that the best way to dance, as if no one is watching? 

And while I'm on that topic, I must also admit that I am also low-key relieved that I haven't pursued the passion of Dance professionally. Because (quoting Liz Gilbert) now I do not have to burden the Art of Dance with the responsibility to pay my bills. Art is bigger than that. And, I have tremendous respect for the people who do this for a living, who Dance professionally - they are an inspiration for living the dream. I am just glad that I am able to have this sexy, naughty, wicked affair with the Art of Dance; that I get to sneak-out with Dance few hours every week  from the otherwise rudimentary life, and make the most of it with Dance because I only get limited time with it.

When dancing in the studio, it is bliss to feel the studio floor transform under my feet as I get lost in the music, learn new steps and express through Dance. It is the sense that Dance gives to my being. Transforming my muscles into the lyrics and poetry, the wind in my arms and sharing that moment with the other beings like me in that studio. 

I believe that to Dance is really worth every sacrifice. And, apparently that is the reason why I am always before-time to the classes (what a geek) and do not complain when we run overtime during our sessions or when we are called for Grand Rehearsals throughout the day as we inch closer to the date for the musical show. I might crib that it changes my other plans, but I am wholeheartedly satisfied to spend whatever time I get with Dance.

And, even though it would not be my first time performing on stage, the excitement I feel about this upcoming show is humongous (as always). I cannot wait to feel the warmth from the blinding spotlights, the ecstacy of executing the choreography in shiny costumes on stage and for the applause from the entertained audience who bought tickets and invested their time to watch us perform. 

The exhilaration is so much that all my plans these days are divided into two eras - "Before the Show" and "After the Show"; as if this show is a major life event (and I've always felt that with all the shows I've performed in the past; to the extent that I need to find my purpose in life again after the show is done - this time, the affair I'm having every Mon & Fri evenings would be over). I will miss the pleasure of walking into the studio, learning the choreography from my teacher, sharing the space with other dancers, the hard wood floor and the mirrors in the studio that would eventually get sweaty with us. 

Also, whether it's dancing in the living room, in the studio or on the stage - the passion towards Dance remains the same; to accumulate the wealth of experiences, to comprehend the full & unique pleasure of movements and to commit to the sweet passion of the Art of Dance. And, I hope I get to follow this passion consistently and with loyalty.

For now, looking forward to performing at the Namaste India show on Saturday, July 16th at Flato Markham Theater.

A Letter to Dance - Acknowledgments

To my wife: I am constantly amazed by your state of self-awareness and self-sufficiency. Thank you for your constant support. I could not have been doing this (or anything really) without you. I couldn't afford to live this dream growing up, everything else was more important than attending a Dance School or dancing with a professional group. Thank you for your compassion; and for understanding what it means to me to be able to pursue dancing. Thank you for putting up with me while I have been physically absent from the house Monday & Wednesday evenings for the past 4 months to learn & rehearse for the upcoming show. 

To my family & friends: Thank you for always cheering me up. I know I have been borderline annoying, advertising the show over my Instagram stories and WhatsApp statuses. Thanks for always sending your best wishes. It means a lot. As a wise man once said, Whatever you do in this life, it's not legendary, unless your friends are there to see it.

To my dance teacher Sue & Bollywood Dance School Canada: Thank you for offering this course and organizing this musical show. Thank you for teaching us the choreography and for your support & guidance throughout the course. Thank you for giving me that extra push when I was not up to the mark, for being patient with me while I was learning and for giving me the opportunity to perform in this show.

To my readers: Thank you for taking the time to read my work. You are the biggest motivation why I write and what I write. I always look forward to your likes, comments and feedback (both online and offline). They help me in ways that are beyond comprehension.

A Letter to Dance - Prologue

I am drafting this after a fun filled Sunday of intense dancing from 11am to 6pm for Grand Rehearsals of the upcoming show, Namaste India. I want to write this post, and draft this now so I get to feel these feelings as much as I can, so I can pen them down & revisit them a million times down the road even after the show is done and because (as I always say) writing is therapeutic. 

Today was a day filled with dance, with over 150 dancers gathered in the studio from across the GTA to rehearse for the musical; one group dancing after the other in the studio, showcasing their work to the director of the show and him working out the transitions between each act. During the time when we were not presenting our work and awaiting our turns, we were still rehearsing our sections in other areas of the studio - backstage, in the corridors, in the hallways and even in the parking lot under full sun. Almost each group had their own mini-speaker to play their track and rehearse their act; yet amidst the noisy musical resonance of all tracks, each group was following only their track; similar to how several teams simultaneously play cricket on the same playground in my hometown; yet each player only fields the ball that belongs to their team. It was bliss to be surrounded by so many dancers and so much of dance.